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Music by Tom Waits


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A poem I wrote:

Another shit poem from shit city.

Contemplating the lights of San Francisco in theoretical jolts
hoping for the the accumulation of funds to one day say
"hey man I'm happy cos look what I got!"
Losing it in plastics and tasteless consumption.

I question whether or not I'm trampling about in Ginsburgh's bald head
all the while, they blame it on the poor for the consequences of the rich and powerful.
The bald eagles.

So let's Howl at the night in the solitude of our rooms.
Hoping that maybe we'll hear each other in the lonesome cold, beyond the distance.
Cos, honey, I've already lost the house, the car, the picket fence, the grass grown at Home Depot that i'll be damned to let anyone step on!, and all I need is that embrace.

The touch that turns crimsoned eyed demons into howlin' slobberin' puppy dogs.



AND JUST FOR FUN:

Final Assignment: Hollow City and Tripmaster Monkey

There are various similarities between the works of Rebecca Solnit and Maxine Kingston Hong in respect to their depictions of San Francisco. To start of with, Rebecca Solnit concerns herself with the everyday living situations of and people residing in San Francisco with regard to Gentrification. Specifically, she is critical of the Silicon Valley tech savvy types that have love for the San Francisco space, but who, unfortunately, increase the cost of living and force lesser privileged persons to move out of the city. This inability is due in large part to increasing cost of living in San Francisco due to the Gentrification. These increase costs cover the increasing real estate and rent prices primarily. Solnit also covers the increasing inability of artists of varying crafts to reside within San Francisco. Essentially, Solnit depicts the cleansing of artists of the beat type, the slow technical modernization of San Francisco, and the descending spirit of the former beat anti-establishment spirit that was once prevalent in San Francisco.
Similarly, Maxine Kingston Hong, in Trip Master Monkey, depicts a struggling artist who exudes the kind of antiestablishment beat spirit discussed in Solnit’s books. Working in a 9-to-5 job in which he advises customers to avoid purchasing the products he is responsible for selling, Wittman represents the age of beat, free spirit, drug experimenting type of lifestyle that Solnit depicts as being pushed out of San Francisco.
While differing in style, Both authors focus on place and spaces within regard to the subjects they choose to focus on, who share a similar calling within the city. Both authors depict the post beat lifestyle of San Franciscan artists. A life style that is difficult and often times at a standing conflict with the imperial capitalist society that seems to be enveloping their once beatified city.